JULIE McKEE - Take Five No: 15
Can you tell us about your new album?
Yes, it’s called Light on the Ledge and is an album of original songs (except for one song, which I arranged). I’m playing piano or Rhodes and singing on each one, backed by a string quartet with beautiful arrangements by Harvey Brough (Harvey and the Wallbangers), plus double bass (Andy Hamill), sax and clarinet (Josh Kemp). It’s a bit of a departure for me, as I would usually perform with a rhythm section, but it seemed the right direction to go on this album, and I think it’s paid off – the strings add a kind of cinematic effect that I’m really pleased with. All the songs have some kind of idea or story behind them, inspired by something I’ve read or heard, or maybe seen in the news. Overall, though, there is a general theme of exploring the dreams we have in life and whether or not they are realised. It’d be fair to say that some of the characters in the songs struggle to reconcile that more than others! There is also a bit of satire, about the media and how it portrays the news, and high-profile figures and the scandals they cause. I love words and the lyrics and music go very much hand in hand – it is as much about the stories told as the music itself really.
Yes, it’s called Light on the Ledge and is an album of original songs (except for one song, which I arranged). I’m playing piano or Rhodes and singing on each one, backed by a string quartet with beautiful arrangements by Harvey Brough (Harvey and the Wallbangers), plus double bass (Andy Hamill), sax and clarinet (Josh Kemp). It’s a bit of a departure for me, as I would usually perform with a rhythm section, but it seemed the right direction to go on this album, and I think it’s paid off – the strings add a kind of cinematic effect that I’m really pleased with. All the songs have some kind of idea or story behind them, inspired by something I’ve read or heard, or maybe seen in the news. Overall, though, there is a general theme of exploring the dreams we have in life and whether or not they are realised. It’d be fair to say that some of the characters in the songs struggle to reconcile that more than others! There is also a bit of satire, about the media and how it portrays the news, and high-profile figures and the scandals they cause. I love words and the lyrics and music go very much hand in hand – it is as much about the stories told as the music itself really.
What other projects are you currently involved in?
I have an album showcase happening at the newly refurbished Grand Entrance Hall at the Brunel Museum, in London on 16th April. It’s a really atmospheric space and I’ll be performing with the full album line-up, which is very exciting! After that, there will be other gigs for Light on the Ledge, possibly some abroad. I also sing with various gypsy/early jazz bands, including Rhythme Futur. I love swing and the interplay between the musicians on these gigs – it’s my more lighthearted musical outlet! And I’m starting to write some new songs, too, alongside working on the piano and teaching different jazz vocal groups.
What are you currently listening to and what was the last CD or download you bought?
I’m always trying to find new music or artists I haven’t come across before. At the moment I’m listening to, among others, the Mexican/American singer-songwriter Lhasa de Sela. Unfortunately she died in 2010 but she has an amazingly distinctive voice, and I find her songs really evocative – plus they don’t sit in any one genre very easily, which I like. I’m also going back to a bit of Kurt Elling right now – I always learn something from him.
The last CD I bought was Mass in Blue by Will Todd after I saw it performed in concert with a choir recently. I like that he takes an unusual approach to traditional liturgy and how he blends the classical and blues feels seamlessly.
I have an album showcase happening at the newly refurbished Grand Entrance Hall at the Brunel Museum, in London on 16th April. It’s a really atmospheric space and I’ll be performing with the full album line-up, which is very exciting! After that, there will be other gigs for Light on the Ledge, possibly some abroad. I also sing with various gypsy/early jazz bands, including Rhythme Futur. I love swing and the interplay between the musicians on these gigs – it’s my more lighthearted musical outlet! And I’m starting to write some new songs, too, alongside working on the piano and teaching different jazz vocal groups.
What are you currently listening to and what was the last CD or download you bought?
I’m always trying to find new music or artists I haven’t come across before. At the moment I’m listening to, among others, the Mexican/American singer-songwriter Lhasa de Sela. Unfortunately she died in 2010 but she has an amazingly distinctive voice, and I find her songs really evocative – plus they don’t sit in any one genre very easily, which I like. I’m also going back to a bit of Kurt Elling right now – I always learn something from him.
The last CD I bought was Mass in Blue by Will Todd after I saw it performed in concert with a choir recently. I like that he takes an unusual approach to traditional liturgy and how he blends the classical and blues feels seamlessly.
Click on the album cover to read our review.
What is your all time favourite album and why?
Of course, I’ve got lots. And it probably changes depending on what mood I’m in! But one I consistently go back to is Nina Simone’s Released. It has a few of her classics on it, but also some tracks I’ve not seen included on her other recordings. Covers of Bob Dylan’s I Shall be Released and Just Like a Woman, I think, show her as the consummate interpreter, and to me you can’t beat her version of I Wish I Knew How it Would Feel to be Free! Also Night Train by Oscar Peterson for the perfect jazz trio feel.
Who has caught you attention recently that we should be listening out for?
I really like Clara Sanabras – she’s always doing something new with each album, and her latest concert, based on Shakespeare’s The Tempest, was stunning. There’s a definite thread and intention in her work that I think you don’t always come across in other singer-songwriters. Also Olivia Chaney for bringing her jazz sensibility into the folk idiom.
Showcase gig for Light On The Ledge, Saturday 16 April - click here for
more details.
Of course, I’ve got lots. And it probably changes depending on what mood I’m in! But one I consistently go back to is Nina Simone’s Released. It has a few of her classics on it, but also some tracks I’ve not seen included on her other recordings. Covers of Bob Dylan’s I Shall be Released and Just Like a Woman, I think, show her as the consummate interpreter, and to me you can’t beat her version of I Wish I Knew How it Would Feel to be Free! Also Night Train by Oscar Peterson for the perfect jazz trio feel.
Who has caught you attention recently that we should be listening out for?
I really like Clara Sanabras – she’s always doing something new with each album, and her latest concert, based on Shakespeare’s The Tempest, was stunning. There’s a definite thread and intention in her work that I think you don’t always come across in other singer-songwriters. Also Olivia Chaney for bringing her jazz sensibility into the folk idiom.
Showcase gig for Light On The Ledge, Saturday 16 April - click here for
more details.
BARB JUNGR - Take Five No: 14
Can you tell us about your new album?
I can indeed! Its called Shelter From the Storm, subtitled Songs of Hope for Troubled Times and its an optimistic collection of songs by people I love and the great thing is its a collaboration with the fabulous US jazz pianist Laurence Hobgood who of course worked for 20 years with Kurt Elling and has a Grammy and is generally tip top in my book. We worked for six months putting it together and we wrote 3 songs for it, and indeed loved working together so much that we are going to make an album of originals in the future. We recorded it in New York last summer (2015) at Sear Sound, and the fabulous Calum Malcolm engineered and produced it with us. We had Michael Olatuja on double bass, he’s a Brit but he lived in New York a while now and he’s married to a lovely American woman, and Wilson Torres on percussion. Of course its got the Dylan Shelter From The Storm on it, the title track, in a wonderful arrangement. Laurence worked on all the arrangements and did some beautifully inventive work. Its been a delight to make this, creatively. Just a delight.
What other projects are you currently involved in?
Well, I am about to tour the album songs in March and April with four nights at Dean St Soho Jazz club with Laurence on piano, Davide Mantovani on bass and Oli Savill on percussion. We do some East Coast shows in May, at Joe’s Pub and Washington DC. In April I sing in Palm Springs with John McDaniel arranging an orchestra at a big gala thing and he and I do our Beatles collection (he’s also American and a big Broadway MD and arranger and composer) in the UK. Alongside that I continue to work with musicians and singers and songwriters in Corby in our Deep Roots Tall Trees project - the Royal Philharmonic worked with us on the songs we wrote about the town 2 years ago, launching the Made In Corby Arts Council funded initiative there. And I’m writing another children’s musical for Polka Theatre. So its an absolutely wonderful time.
What are you currently listening to and what was the last CD or download you bought?
Laurence Hobgood and Manhattan Transfer! I saw and heard them - MT - in November at a show in New York, they sang about 20 minutes of this charity concert, and they were such great singers so I thought - I better download a whole album of them so I can catch up. And I’m listening to Laurence’s new album, which is utterly beautiful, Honour Thy Father, he has John Patitucci on double bass - he’s got to be one of the best jazz bassists, and I was lucky enough to do a song with him when Mark Anthony Turnage and I did a piece together to re-open the Queen Elizabeth Hall. At the after show hang, John spent ages talking to my mum and I about his family. He’s a delight. Thats by the by, obviously. So I’m listening to Laurence and Manhattan Transfer and David Bowie’s Blackstar, which is such a great epitaph for a brilliant career by a true iconoclast. And of course he had all those jazzers playing on it.
I can indeed! Its called Shelter From the Storm, subtitled Songs of Hope for Troubled Times and its an optimistic collection of songs by people I love and the great thing is its a collaboration with the fabulous US jazz pianist Laurence Hobgood who of course worked for 20 years with Kurt Elling and has a Grammy and is generally tip top in my book. We worked for six months putting it together and we wrote 3 songs for it, and indeed loved working together so much that we are going to make an album of originals in the future. We recorded it in New York last summer (2015) at Sear Sound, and the fabulous Calum Malcolm engineered and produced it with us. We had Michael Olatuja on double bass, he’s a Brit but he lived in New York a while now and he’s married to a lovely American woman, and Wilson Torres on percussion. Of course its got the Dylan Shelter From The Storm on it, the title track, in a wonderful arrangement. Laurence worked on all the arrangements and did some beautifully inventive work. Its been a delight to make this, creatively. Just a delight.
What other projects are you currently involved in?
Well, I am about to tour the album songs in March and April with four nights at Dean St Soho Jazz club with Laurence on piano, Davide Mantovani on bass and Oli Savill on percussion. We do some East Coast shows in May, at Joe’s Pub and Washington DC. In April I sing in Palm Springs with John McDaniel arranging an orchestra at a big gala thing and he and I do our Beatles collection (he’s also American and a big Broadway MD and arranger and composer) in the UK. Alongside that I continue to work with musicians and singers and songwriters in Corby in our Deep Roots Tall Trees project - the Royal Philharmonic worked with us on the songs we wrote about the town 2 years ago, launching the Made In Corby Arts Council funded initiative there. And I’m writing another children’s musical for Polka Theatre. So its an absolutely wonderful time.
What are you currently listening to and what was the last CD or download you bought?
Laurence Hobgood and Manhattan Transfer! I saw and heard them - MT - in November at a show in New York, they sang about 20 minutes of this charity concert, and they were such great singers so I thought - I better download a whole album of them so I can catch up. And I’m listening to Laurence’s new album, which is utterly beautiful, Honour Thy Father, he has John Patitucci on double bass - he’s got to be one of the best jazz bassists, and I was lucky enough to do a song with him when Mark Anthony Turnage and I did a piece together to re-open the Queen Elizabeth Hall. At the after show hang, John spent ages talking to my mum and I about his family. He’s a delight. Thats by the by, obviously. So I’m listening to Laurence and Manhattan Transfer and David Bowie’s Blackstar, which is such a great epitaph for a brilliant career by a true iconoclast. And of course he had all those jazzers playing on it.
Click on the album cover to read our review
What is your all time favourite album and why?
I can’t just have one! That can’t be! Its a tie. Its a tie between Kind Of Blue because thats just jazz music perfection in every way, in its scope and sound and the way that its completely accessible in every way and yet its also utterly particular and uncompromising. I love it. Then there’s Hunky Dory, which is landmark Bowie for me. I’d have to have the Rosary Sonatas by Biber because that breaks my heart and the Beatles entire collection box set with all the additional material because thats all of popular music right there forever, and Desire by Dylan which never fails to make me think Dylan is a genius in the real sense of the word. And I’m not even started on this joint number one list…..it can go for another 45 or so examples. Marvin, Fela Kuti, Grande Maitre Franco…….Mahalia…..Callas……Sarah V…….
Who has caught you attention recently that we should be listening out for?
I just discovered this great jazz improviser, Rhiannon, she did a concert in New York and a bunch of people I respect moved heaven and earth to get tickets, and Laurence played with her, and everyone said she is the biscuit of biscuits of improv - she does whole songs - words, melody, all. Anyway you can find out more about her here www.rhiannonmusic.com, because she’s a total new discovery for me. And my re-doscovery is Claude Nougaro, Sebastian Scotney reminded me of his work and his work really stands up.
I can’t just have one! That can’t be! Its a tie. Its a tie between Kind Of Blue because thats just jazz music perfection in every way, in its scope and sound and the way that its completely accessible in every way and yet its also utterly particular and uncompromising. I love it. Then there’s Hunky Dory, which is landmark Bowie for me. I’d have to have the Rosary Sonatas by Biber because that breaks my heart and the Beatles entire collection box set with all the additional material because thats all of popular music right there forever, and Desire by Dylan which never fails to make me think Dylan is a genius in the real sense of the word. And I’m not even started on this joint number one list…..it can go for another 45 or so examples. Marvin, Fela Kuti, Grande Maitre Franco…….Mahalia…..Callas……Sarah V…….
Who has caught you attention recently that we should be listening out for?
I just discovered this great jazz improviser, Rhiannon, she did a concert in New York and a bunch of people I respect moved heaven and earth to get tickets, and Laurence played with her, and everyone said she is the biscuit of biscuits of improv - she does whole songs - words, melody, all. Anyway you can find out more about her here www.rhiannonmusic.com, because she’s a total new discovery for me. And my re-doscovery is Claude Nougaro, Sebastian Scotney reminded me of his work and his work really stands up.
TOMMASO STARACE - Take Five No:13
Can you tell us about your new album?
With this new album 'From a Distant Past' I wanted to bring to life, through the jazz idiom and the composed melodies, a world that belongs to a remote past made of fables and surreal stories. From the childish melody of ‘Children’s Song’ (Chick Corea) to the nostalgic ones of 'Dexter’s Tune’ ( by Randy Newman from the motion picture 'Awakenings'), to the more 'fable like' music of 'A Trust Betrayed' or epic one of ' Perseus & Andromeda’ the listener travels through time.
I challenged my self to push my boundaries through my composition focusing on new styles and inspiring myself from some of my favourite contemporary composers such as Brad Mehldau, Brandford Marsalis, Ennio Morricone. Most of the piano music on the album is written out note by note as I wanted Michele to play precisely certain ideas in the written melodies.
Strong melodies are always of primary importance and necessary to me so that the listener can embark on a journey of 'cinematic' music. Behind each composition I hope the listener can picture a story and fully live it.
I have always been attracted to the jazz idiom of the black American tradition of the 50's and that's where a lot of my studying has gone when practicing on the saxophone. Michele to the contrary has a classical background and loves the European jazz melodic approach influenced by the likes of Enrico Pierannunzi and Keith Jarrett. In his playing Di Toro makes use of a jazz idiom inspired by classical music, using scales and chords which create a more angular and contemporary language. I think that the two of us who have been playing together for the past 15 years have potential to create a unique sound through our different jazz backgrounds not to mention the fact that we know each other's playing very well.
But our objective in the end is one only: that of expressing ourselves with sensitivity and originality hoping that the listener will be enriched by different emotions: anger, sadness, compassion, dreamy moments, fear, forgiveness, joy, irony.
With this new album 'From a Distant Past' I wanted to bring to life, through the jazz idiom and the composed melodies, a world that belongs to a remote past made of fables and surreal stories. From the childish melody of ‘Children’s Song’ (Chick Corea) to the nostalgic ones of 'Dexter’s Tune’ ( by Randy Newman from the motion picture 'Awakenings'), to the more 'fable like' music of 'A Trust Betrayed' or epic one of ' Perseus & Andromeda’ the listener travels through time.
I challenged my self to push my boundaries through my composition focusing on new styles and inspiring myself from some of my favourite contemporary composers such as Brad Mehldau, Brandford Marsalis, Ennio Morricone. Most of the piano music on the album is written out note by note as I wanted Michele to play precisely certain ideas in the written melodies.
Strong melodies are always of primary importance and necessary to me so that the listener can embark on a journey of 'cinematic' music. Behind each composition I hope the listener can picture a story and fully live it.
I have always been attracted to the jazz idiom of the black American tradition of the 50's and that's where a lot of my studying has gone when practicing on the saxophone. Michele to the contrary has a classical background and loves the European jazz melodic approach influenced by the likes of Enrico Pierannunzi and Keith Jarrett. In his playing Di Toro makes use of a jazz idiom inspired by classical music, using scales and chords which create a more angular and contemporary language. I think that the two of us who have been playing together for the past 15 years have potential to create a unique sound through our different jazz backgrounds not to mention the fact that we know each other's playing very well.
But our objective in the end is one only: that of expressing ourselves with sensitivity and originality hoping that the listener will be enriched by different emotions: anger, sadness, compassion, dreamy moments, fear, forgiveness, joy, irony.
Click on the album cover to read our review.
What other projects are you currently involved in?
I'm currently still promoting my photographic/jazz project which was recorded on my second last CD. This is my second album dedicated to images in black & white this time of Italy's most celebrated photographer : Gianni Berengo Gardin. I selected 14 images of the Italian maestro taken in different parts of Italy from the 50's to now. That's the reason why I decide to entitle the album 'Italian Short Stories': it's a trip through Italy with 14 compositions inspired by their respective images. This album like the new one 'From a Distant Past' is a study on melody, trying to be simple and cinematic in my approach and include in the jazz idiom elements of the Italian 'canzone'.
Occasionally, since this is now a 5 years old project, I get called to do my Michel Petrucciani tribute. I recorded an album a few years ago entitled 'Simply Marvellous' which is a collection of some of Petrucciani's most celebrated compositions. Here we celebrate the French pianist talent who, despite his severe physical conditions, was able to convey lots of joy and incredible energy through him many performances.
I'm woking also on a new photographic project which I would like to released in a couple of years. All photos taken during the second world war. So the music I will be composing is centered around those tragic times. Some of the images are quite striking, so it will be a challenge for myself to come out with compositions that can well describe the scenes in the photograph.
Soon I will also be recording a new album in trio featuring the amazing Laurence Cottle on electric bass. The album will be totally based on the Blues, Bebop and Funk music which is what I have always liked very much and it's the reason why I picked up the saxophone: to be able to express that language through my playing.
Q: What are you currently listening to and what was the last CD or download you bought?
I'm currently listening to Ennio Morricone's music. I love all those remarkable themes he wrote for movies such as: The Mission, The Untouchables, Once Upon a Time in America, Nuovo Cinema Paradiso.
Another musician I enjoy hugely is Stevie Wonder. The music I like the most is the one that makes me feel good with myself. Stevie Wonder through his unique composing, playing and performing has that feel-good factor that is like therapy for one's soul.
I also enjoy very much listening to jazz musicians such as Brad Mehldau, Joshua Redman, Cannonball Adderley, Brandford Marsalis, Stefano Di Battista, to name a few.
Maurice Ravel is also a composer I always go back to. I particularly love his G Major piano concerto ( which I ended up arranging as a ballad for my 'Italian Short Stories' album) full of jazz chords and syncopated rhythms.
The latest CD I bought is the one by Brandford Marsalis 'In my solitude' where he performed an entire live set of music 'a cappella'. Quite impressive!
Q: What is your all time favourite album and why?
It's hard to have a all time favourite album as there are so many great recordings by many Jazz legends.
A recording that made me fall in love with Jazz and the sound of the alto saxophone is 'Somethin' Else'. The band leader is Cannonball Adderley and backing him up is a beautiful rhythm section made up of: Hank Jones on piano, Sam Jones on Bass and Art Blakey on drums. This is also one of the few albums where Miles Davis ( who was already at the time a huge star) decided to appear as a guest along side Cannonball; it was proof that Miles had a huge admiration for Cannonball's playing and personality.
Critics say that 'Somethin' Else' is one of the most beautifully recorded albums not to mention the quality of the musicianship from all band members. I particularly love the contrast between Miles playing and Cannonball: the first is linear, melodic and simple and the lines are 'horizontal' in their execution; the second has a more 'vertical' approach to improvisation, with long virtuoso lines full of embellishments connecting chords, many colours in the saxophone tone and a strong emphasis on swing and the blues.
Hank Jones is also remarkable and his playing is a reflection of his personality: elegant, sensitive, and a gentleman in his approach to the music within the group.
Who has caught your attention recently that we should be listening out for?
Someone who I have been recently listen to more and more and would love to collaborate one day with is Colombian Harpist Edmar Castaneda. I love the unique sound of the Harp in jazz and Salsa music and Edmar has an incredible technique. Amongst the many videos of him playing there's one I particularly enjoy listening to and was filmed live at The Jazz Standard in New York with his Trio: great energy, musicianship and quite an unusual sound with that combo!
Again we go back to what I answered in a previous question: Edmar makes me feel good with his music!
I'm currently still promoting my photographic/jazz project which was recorded on my second last CD. This is my second album dedicated to images in black & white this time of Italy's most celebrated photographer : Gianni Berengo Gardin. I selected 14 images of the Italian maestro taken in different parts of Italy from the 50's to now. That's the reason why I decide to entitle the album 'Italian Short Stories': it's a trip through Italy with 14 compositions inspired by their respective images. This album like the new one 'From a Distant Past' is a study on melody, trying to be simple and cinematic in my approach and include in the jazz idiom elements of the Italian 'canzone'.
Occasionally, since this is now a 5 years old project, I get called to do my Michel Petrucciani tribute. I recorded an album a few years ago entitled 'Simply Marvellous' which is a collection of some of Petrucciani's most celebrated compositions. Here we celebrate the French pianist talent who, despite his severe physical conditions, was able to convey lots of joy and incredible energy through him many performances.
I'm woking also on a new photographic project which I would like to released in a couple of years. All photos taken during the second world war. So the music I will be composing is centered around those tragic times. Some of the images are quite striking, so it will be a challenge for myself to come out with compositions that can well describe the scenes in the photograph.
Soon I will also be recording a new album in trio featuring the amazing Laurence Cottle on electric bass. The album will be totally based on the Blues, Bebop and Funk music which is what I have always liked very much and it's the reason why I picked up the saxophone: to be able to express that language through my playing.
Q: What are you currently listening to and what was the last CD or download you bought?
I'm currently listening to Ennio Morricone's music. I love all those remarkable themes he wrote for movies such as: The Mission, The Untouchables, Once Upon a Time in America, Nuovo Cinema Paradiso.
Another musician I enjoy hugely is Stevie Wonder. The music I like the most is the one that makes me feel good with myself. Stevie Wonder through his unique composing, playing and performing has that feel-good factor that is like therapy for one's soul.
I also enjoy very much listening to jazz musicians such as Brad Mehldau, Joshua Redman, Cannonball Adderley, Brandford Marsalis, Stefano Di Battista, to name a few.
Maurice Ravel is also a composer I always go back to. I particularly love his G Major piano concerto ( which I ended up arranging as a ballad for my 'Italian Short Stories' album) full of jazz chords and syncopated rhythms.
The latest CD I bought is the one by Brandford Marsalis 'In my solitude' where he performed an entire live set of music 'a cappella'. Quite impressive!
Q: What is your all time favourite album and why?
It's hard to have a all time favourite album as there are so many great recordings by many Jazz legends.
A recording that made me fall in love with Jazz and the sound of the alto saxophone is 'Somethin' Else'. The band leader is Cannonball Adderley and backing him up is a beautiful rhythm section made up of: Hank Jones on piano, Sam Jones on Bass and Art Blakey on drums. This is also one of the few albums where Miles Davis ( who was already at the time a huge star) decided to appear as a guest along side Cannonball; it was proof that Miles had a huge admiration for Cannonball's playing and personality.
Critics say that 'Somethin' Else' is one of the most beautifully recorded albums not to mention the quality of the musicianship from all band members. I particularly love the contrast between Miles playing and Cannonball: the first is linear, melodic and simple and the lines are 'horizontal' in their execution; the second has a more 'vertical' approach to improvisation, with long virtuoso lines full of embellishments connecting chords, many colours in the saxophone tone and a strong emphasis on swing and the blues.
Hank Jones is also remarkable and his playing is a reflection of his personality: elegant, sensitive, and a gentleman in his approach to the music within the group.
Who has caught your attention recently that we should be listening out for?
Someone who I have been recently listen to more and more and would love to collaborate one day with is Colombian Harpist Edmar Castaneda. I love the unique sound of the Harp in jazz and Salsa music and Edmar has an incredible technique. Amongst the many videos of him playing there's one I particularly enjoy listening to and was filmed live at The Jazz Standard in New York with his Trio: great energy, musicianship and quite an unusual sound with that combo!
Again we go back to what I answered in a previous question: Edmar makes me feel good with his music!
SAM CROCKATT - Take Five No: 12
photograph by Melissa Beagley
Can you tell us about your new album?
Sure can! It’s called Mells Bells and is on Whirlwind Recordings. It features Kit Downes on piano, Oli Hayhurst on double bass and James Maddren on drums. It was an interesting recording session for me as we only had one day to do it and a large part of the music was either new on the day or had only been played once. I really enjoyed working in this way and I think it gives the album an almost live feel.
What other projects are you currently involved in?
I have a trio called Brouhaha with Oli Hayhurst on bass and Dave Smith on drums which is a lot of fun! We haven’t played many gigs but will definitely do some more. I’m playing quite a few dates with John Law’s band this year. The music is all John’s and is very interesting - he really thinks about texture and atmosphere. I’m also starting to get involved in the Bristol scene a little more. I live fairly close to Bristol these days and there are some great musicians around.
What are you currently listening to and what was the last CD or download you bought?
The last album I got was Mark Turner’s ‘Dharma Days’ and I’m really enjoying it! The writing is exciting and the band sounds great. I’ve also listened a lot to Olivia Chaney’s beautiful album ‘The Longest River’. Wayne Shorter’s ‘Etcetera’ has been on a fair bit too.
Sure can! It’s called Mells Bells and is on Whirlwind Recordings. It features Kit Downes on piano, Oli Hayhurst on double bass and James Maddren on drums. It was an interesting recording session for me as we only had one day to do it and a large part of the music was either new on the day or had only been played once. I really enjoyed working in this way and I think it gives the album an almost live feel.
What other projects are you currently involved in?
I have a trio called Brouhaha with Oli Hayhurst on bass and Dave Smith on drums which is a lot of fun! We haven’t played many gigs but will definitely do some more. I’m playing quite a few dates with John Law’s band this year. The music is all John’s and is very interesting - he really thinks about texture and atmosphere. I’m also starting to get involved in the Bristol scene a little more. I live fairly close to Bristol these days and there are some great musicians around.
What are you currently listening to and what was the last CD or download you bought?
The last album I got was Mark Turner’s ‘Dharma Days’ and I’m really enjoying it! The writing is exciting and the band sounds great. I’ve also listened a lot to Olivia Chaney’s beautiful album ‘The Longest River’. Wayne Shorter’s ‘Etcetera’ has been on a fair bit too.
Click on the album cover to read our review.
What is your all time favourite album and why?
That’s a very difficult question to answer! I saw that Brandon Allen picked Coltrane’s ‘Crescent’ and I think if It had to be just one then I’d have to agree. The music has such a deep feeling and Coltrane plays so beautifully. His sound on that record is amazing.
Who has caught you attention recently that we should be listening out for?
There are so many great young musicians in this country at the moment - every so often I have a look around on youtube etc and get blown away by what I hear! Some of the saxophonists I really like listening to are George Crowley, Josh Arcoleo and Mike Chillingworth.
Click here for Sam's Tour Dates
That’s a very difficult question to answer! I saw that Brandon Allen picked Coltrane’s ‘Crescent’ and I think if It had to be just one then I’d have to agree. The music has such a deep feeling and Coltrane plays so beautifully. His sound on that record is amazing.
Who has caught you attention recently that we should be listening out for?
There are so many great young musicians in this country at the moment - every so often I have a look around on youtube etc and get blown away by what I hear! Some of the saxophonists I really like listening to are George Crowley, Josh Arcoleo and Mike Chillingworth.
Click here for Sam's Tour Dates
SARA DOWLING - Take Five No: 11
Can you tell us about your new album?
I have always dreamt of making a traditional jazz album. When I was teenager most Sundays I’d be in ‘Vinyl Exchange’, Northern Quarter of Manchester city centre flicking through CD’s of all my favourite ladies in jazz. When this album became reality, I thought how was I was going to tackle these standards like those women before me. They could swing; they would stay true to the melody yet put their own stamp on it with a true understanding of the jazz language and approach to phrasing. In May 2015 I finally found the courage to do it. I can honestly say, no regrets! I found three swinging gents who not only brought incredibly high standards to this record but also lives and breathes this music. The album consists of traditional jazz standards from the ‘American Song book’ along with two original songs ‘Take Me To The Sun’ and ‘You’ve Got My heart On A String’ and the final track being a stand alone track from the rest of the album since it was taken from a different session. It ends with Henry Mancini’s theme tune form the 1967 film ‘Two for the Road’ (additional personnel on his track Mike Outram on guitar, Andrew Kingslow on Hammond organ and Matt Home on drums.
What other projects are you currently involved in?
I sing with ‘The London Dance Orchestra’ (An 11 piece 1940’s Swing dance band led by the wonderful Robin Harris). I sing arrangements from Jimme Lunceford, Gene Krupa with Anita O’Day and Lucky Milinder with Sister Rosetta Tharpe. If that music doesn’t teach you to swing, I don’t know what will. It’s a real gas and the fellas in the band have been an inspiration to me.
For the last 3 years I’ve been penning songs for major publishing companies EMI SONY ATV, WARNER and ITV JUICE label writing for National advertising campaigns and film.
I have always dreamt of making a traditional jazz album. When I was teenager most Sundays I’d be in ‘Vinyl Exchange’, Northern Quarter of Manchester city centre flicking through CD’s of all my favourite ladies in jazz. When this album became reality, I thought how was I was going to tackle these standards like those women before me. They could swing; they would stay true to the melody yet put their own stamp on it with a true understanding of the jazz language and approach to phrasing. In May 2015 I finally found the courage to do it. I can honestly say, no regrets! I found three swinging gents who not only brought incredibly high standards to this record but also lives and breathes this music. The album consists of traditional jazz standards from the ‘American Song book’ along with two original songs ‘Take Me To The Sun’ and ‘You’ve Got My heart On A String’ and the final track being a stand alone track from the rest of the album since it was taken from a different session. It ends with Henry Mancini’s theme tune form the 1967 film ‘Two for the Road’ (additional personnel on his track Mike Outram on guitar, Andrew Kingslow on Hammond organ and Matt Home on drums.
What other projects are you currently involved in?
I sing with ‘The London Dance Orchestra’ (An 11 piece 1940’s Swing dance band led by the wonderful Robin Harris). I sing arrangements from Jimme Lunceford, Gene Krupa with Anita O’Day and Lucky Milinder with Sister Rosetta Tharpe. If that music doesn’t teach you to swing, I don’t know what will. It’s a real gas and the fellas in the band have been an inspiration to me.
For the last 3 years I’ve been penning songs for major publishing companies EMI SONY ATV, WARNER and ITV JUICE label writing for National advertising campaigns and film.
What is your all time favourite album and why?
My all time favourite album is Nancy Wilson with Cannonball Adderley Quintet. For a start this is a killing rhythm section (Joe Zawinul, Sam Jones and Louis Hayes) fronted by the two Adderley brothers. It was Cannonball Adderley who really discovered Nancy Wilson and put her on the map with this album. I learnt a lot about phrasing from Nancy. She was such a versatile singer and proves that learning how to swing first and foremost is the most basic education a singer must have. She sung with great maturity and had a very matter of fact way of delivering which always made feel ‘this woman means business’… I loved that about her!!
My all time favourite album is Nancy Wilson with Cannonball Adderley Quintet. For a start this is a killing rhythm section (Joe Zawinul, Sam Jones and Louis Hayes) fronted by the two Adderley brothers. It was Cannonball Adderley who really discovered Nancy Wilson and put her on the map with this album. I learnt a lot about phrasing from Nancy. She was such a versatile singer and proves that learning how to swing first and foremost is the most basic education a singer must have. She sung with great maturity and had a very matter of fact way of delivering which always made feel ‘this woman means business’… I loved that about her!!
Click on album cover to read our review
What are you currently listening to and what was the last CD or download you bought?
Well I may be the wrong person to talk to about ‘downloads’ I got rid of ‘spotify’ a year ago and I haven’t bought anything from ITunes in yonks. I have however gone back to spending a dangerous amount of time in HMV and every Oxfam I can chance upon to dig through old Vinyl. My latest two gems ‘Milt Jackson and Ray Brown’ album doing Oliver Nelson and Jimmy Heath arrangements. Second find was a wonderful George Shearing album called ‘Black Satin’ orchestrated by Billy May, it’s the best way to spend a Sunday morning listening to this album.
Who has caught you attention recently that we should be listening out for?
I think for me the best jazz vocalist out there right now is Cecile Mclorin Salvant (American Jazz Vocalist). She echoes many of those great jazz singers but has also brought a wonderful freshness to the American songbook. I think any lady that nods to Betty Carter must also have great taste.
Well I may be the wrong person to talk to about ‘downloads’ I got rid of ‘spotify’ a year ago and I haven’t bought anything from ITunes in yonks. I have however gone back to spending a dangerous amount of time in HMV and every Oxfam I can chance upon to dig through old Vinyl. My latest two gems ‘Milt Jackson and Ray Brown’ album doing Oliver Nelson and Jimmy Heath arrangements. Second find was a wonderful George Shearing album called ‘Black Satin’ orchestrated by Billy May, it’s the best way to spend a Sunday morning listening to this album.
Who has caught you attention recently that we should be listening out for?
I think for me the best jazz vocalist out there right now is Cecile Mclorin Salvant (American Jazz Vocalist). She echoes many of those great jazz singers but has also brought a wonderful freshness to the American songbook. I think any lady that nods to Betty Carter must also have great taste.
TIFFANY AUSTIN - Take Five No:10
Can you tell us about your new album?
"Nothing But Soul" is my debut album: a re-imagining of songs by the composer Hoagy Carmichael. I chose this material because its treasures had always been hidden in plain view--I had known, sung and loved Hoagy's tunes ever since I was a little girl and had never known who wrote them. When I realized how ubiquitous Hoagy was, I had to record his work! But of course, I had to put my own stamp on it. Howard Wiley (producer and tenor sax player) and I each wrote half of the arrangements for the album. What you'll hear on the album is an alloy of some of my favorite influences: Pharoah Saunders, J. Dilla, Charlie Parker, Ella Fitzgerald, even Johnny Cash.
What other projects are you currently involved in?
I'm currently a resident artist through the San Francisco Friends of Chamber Music developing my Creole music project. This project was inspired by my grandmother, who spoke Creole French, and by recordings from the 1920s and ’30s by Louisiana Creole accordionist Amede Ardoin, whose innovative style had a profound impact on the development of both Cajun and zydeco musical styles. I couldn’t believe that such an influential artist’s name wasn’t more prevalent in musical circles, and so the project is as much cultural reclamation as it is musical education.
"Nothing But Soul" is my debut album: a re-imagining of songs by the composer Hoagy Carmichael. I chose this material because its treasures had always been hidden in plain view--I had known, sung and loved Hoagy's tunes ever since I was a little girl and had never known who wrote them. When I realized how ubiquitous Hoagy was, I had to record his work! But of course, I had to put my own stamp on it. Howard Wiley (producer and tenor sax player) and I each wrote half of the arrangements for the album. What you'll hear on the album is an alloy of some of my favorite influences: Pharoah Saunders, J. Dilla, Charlie Parker, Ella Fitzgerald, even Johnny Cash.
What other projects are you currently involved in?
I'm currently a resident artist through the San Francisco Friends of Chamber Music developing my Creole music project. This project was inspired by my grandmother, who spoke Creole French, and by recordings from the 1920s and ’30s by Louisiana Creole accordionist Amede Ardoin, whose innovative style had a profound impact on the development of both Cajun and zydeco musical styles. I couldn’t believe that such an influential artist’s name wasn’t more prevalent in musical circles, and so the project is as much cultural reclamation as it is musical education.
Click on the album cover to read our review
What are you currently listening to and what was the last CD or download you bought?
This last month's listening has been pretty diverse: Bettye Lavette, Jill Scott, The Internet, Kendick Lamar, Horace Silver, James Brown, Prince, and John Handy (whom I will have the honor of performing with at Dizzy's NYC in October 2015).As for purchases, I try to support my fellow musicians by buying their music, and contributing to their crowdfunding campaigns. There's a long list of names I could write here! :)
What is your all time favourite album and why?
It's a tie between John Coltrane's "Giant Steps" and Miles Davis' "Kind of Blue". These were the first two jazz albums that I kept on constant rotation when I was in high school. I love the way Coltrane burns through those "Giant Steps" changes; and on the other hand I love the spaciousness and subtlety that Miles brings to "So What". Both albums are undergirded with an intellect, skill and spirituality that I admire and emulate.
Who has caught you attention recently that we should be listening out for?
I recently caught a performance by Jerron (Blind Boy) Paxton-- a singer and multi-instrumentalist whose specialty is pre-WWI jazz and blues. He is steeped to the bone in the old music, and moves seamlessly from violin to banjo to harmonica to guitar. It's rare to find folks who study the music in such depth, and is command and love of the music is so inspiring.
This last month's listening has been pretty diverse: Bettye Lavette, Jill Scott, The Internet, Kendick Lamar, Horace Silver, James Brown, Prince, and John Handy (whom I will have the honor of performing with at Dizzy's NYC in October 2015).As for purchases, I try to support my fellow musicians by buying their music, and contributing to their crowdfunding campaigns. There's a long list of names I could write here! :)
What is your all time favourite album and why?
It's a tie between John Coltrane's "Giant Steps" and Miles Davis' "Kind of Blue". These were the first two jazz albums that I kept on constant rotation when I was in high school. I love the way Coltrane burns through those "Giant Steps" changes; and on the other hand I love the spaciousness and subtlety that Miles brings to "So What". Both albums are undergirded with an intellect, skill and spirituality that I admire and emulate.
Who has caught you attention recently that we should be listening out for?
I recently caught a performance by Jerron (Blind Boy) Paxton-- a singer and multi-instrumentalist whose specialty is pre-WWI jazz and blues. He is steeped to the bone in the old music, and moves seamlessly from violin to banjo to harmonica to guitar. It's rare to find folks who study the music in such depth, and is command and love of the music is so inspiring.
QCBA (aka Quentin Collins & Brandon Allen) - Take Five No: 9
Can you tell us about your new album?
QC: "Beauty In Quiet Places" is QCBA in it's element, a mixture of styles all coming from the lineage of jazz music that we have most affinity with. Our influences are clear but I'd like to think on this album we have very much stamped our own sound on this lineage.
BA: The new album is hopefully a step in a more contemporary and varied direction from our debut album. The writing is still influenced by bop but the rhythms and harmonies are more contemporary and are drawing from a deeper pool of influences.
What other projects are you currently involved in?
QC: Both Brandon and I play for Kyle Eastwood band which keeps us busy touring the world. We also have a lot of creative input in the band so we play compositions that all band members have contributed to, which makes it extra special. We both host Late Shows at Ronnie Scott's jazz Club in SOHO, plus I also play with Noemi Nuti band which is a lot of fun, lead my own quartet as well as curating 'Played Twice' at Brilliant Corners.
BA: I am currently leading the Brandon Allen Sextet, performing my arrangements of jazz standards and other songs. I am also enjoying my quartet project playing the music of Gene Ammons. I am also busy with other sideman work.
What are you currently listening to and what was the last CD or download you bought?
QC: I always try to mix up my listening with some classics and some new music. For example I am currently listening to The Tony Bennett/Bill Evans Album & Christian Scott's latest release "Stretch Music", both of which I am enjoying for very different reasons.
BA: I've been enjoying listening to the later recordings of Stanley Turrentine plus some undiscovered Mike Brecker recordings.
I always have my record collection on shuffle which is various stuff. I recently downloaded Stanley Turrentine's "Dont mess with Mr T"
QC: "Beauty In Quiet Places" is QCBA in it's element, a mixture of styles all coming from the lineage of jazz music that we have most affinity with. Our influences are clear but I'd like to think on this album we have very much stamped our own sound on this lineage.
BA: The new album is hopefully a step in a more contemporary and varied direction from our debut album. The writing is still influenced by bop but the rhythms and harmonies are more contemporary and are drawing from a deeper pool of influences.
What other projects are you currently involved in?
QC: Both Brandon and I play for Kyle Eastwood band which keeps us busy touring the world. We also have a lot of creative input in the band so we play compositions that all band members have contributed to, which makes it extra special. We both host Late Shows at Ronnie Scott's jazz Club in SOHO, plus I also play with Noemi Nuti band which is a lot of fun, lead my own quartet as well as curating 'Played Twice' at Brilliant Corners.
BA: I am currently leading the Brandon Allen Sextet, performing my arrangements of jazz standards and other songs. I am also enjoying my quartet project playing the music of Gene Ammons. I am also busy with other sideman work.
What are you currently listening to and what was the last CD or download you bought?
QC: I always try to mix up my listening with some classics and some new music. For example I am currently listening to The Tony Bennett/Bill Evans Album & Christian Scott's latest release "Stretch Music", both of which I am enjoying for very different reasons.
BA: I've been enjoying listening to the later recordings of Stanley Turrentine plus some undiscovered Mike Brecker recordings.
I always have my record collection on shuffle which is various stuff. I recently downloaded Stanley Turrentine's "Dont mess with Mr T"
Click on the album cover to read our review
What is your all time favourite album and why?
QC: Wow, that's a really tough question. Can I just say it changes with the weather?! I was brought up by a jazz loving father who reared me on a lot of good stuff which has stuck with me through the years. If I had to pick one album that I can always go back to regardless of my mood and context it would have to be Milestones by Miles Davis, which is an album that encapsulates everything I love about jazz music. Having said that, there are several Miles albums which fall into this category!
BA: For me it's 'Crescent' by John Coltrane
Who has caught you attention recently that we should be listening out for?
QC: There is so much amazing talent around these days, and the UK is a place which seems to be buzzing with great musicians right now. I would say check out my good friend Andrew McCormack's latest album "First Light" which is full of great playing and compositions plus watch out for his new musical direction because it's really exciting. Also, I'm digging Ambrose Akinmusire's music very much, and I totally adored Billy Childs latest record "Map to The Treasure" which was a reimagining of Laura Nyro's music with lots of fantastic cameo appearances from different artists. I'd love to see this project live if it ever comes to the UK.
The collaborative thing is something that QCBA are also very interested in, it may well be a big feature on our next project.
BA:I think Mark Lewandowski is a great talent on bass. Too many sax players out there to mention.
QC: Wow, that's a really tough question. Can I just say it changes with the weather?! I was brought up by a jazz loving father who reared me on a lot of good stuff which has stuck with me through the years. If I had to pick one album that I can always go back to regardless of my mood and context it would have to be Milestones by Miles Davis, which is an album that encapsulates everything I love about jazz music. Having said that, there are several Miles albums which fall into this category!
BA: For me it's 'Crescent' by John Coltrane
Who has caught you attention recently that we should be listening out for?
QC: There is so much amazing talent around these days, and the UK is a place which seems to be buzzing with great musicians right now. I would say check out my good friend Andrew McCormack's latest album "First Light" which is full of great playing and compositions plus watch out for his new musical direction because it's really exciting. Also, I'm digging Ambrose Akinmusire's music very much, and I totally adored Billy Childs latest record "Map to The Treasure" which was a reimagining of Laura Nyro's music with lots of fantastic cameo appearances from different artists. I'd love to see this project live if it ever comes to the UK.
The collaborative thing is something that QCBA are also very interested in, it may well be a big feature on our next project.
BA:I think Mark Lewandowski is a great talent on bass. Too many sax players out there to mention.
LIANE CARROLL - Take Five No: 8
Can you tell us about your new album?
It's called Seaside after the title track, written for me by my dear friend Joe Stilgoe. I was so moved by the song that I decided to base the whole cd around my love of the coast and growing up in Hastings. We recorded it at the amazing producer James McMillan's Hastings studio and the cover photo is by another Hastonian, my friend Carol Murphy.
What other projects are you currently involved in?
I am so lucky to be involved in so many different projects at the moment, including more recording, touring and some wonderful jazz vocal workshops that I run with Sophie Bancroft and Sara Colman. Lots of different types of music which keeps me on my toes!!.
What are you currently listening to and what was the last CD or download you bought?
Ahhh!!! I just found an old vinyl of Harmony of the Spheres by Neil Ardley, and featuring my wonderful mate Norma Winstone. I used to own it but it sadly got burnt, so finding it again was a marvellous luxury for me.
It's called Seaside after the title track, written for me by my dear friend Joe Stilgoe. I was so moved by the song that I decided to base the whole cd around my love of the coast and growing up in Hastings. We recorded it at the amazing producer James McMillan's Hastings studio and the cover photo is by another Hastonian, my friend Carol Murphy.
What other projects are you currently involved in?
I am so lucky to be involved in so many different projects at the moment, including more recording, touring and some wonderful jazz vocal workshops that I run with Sophie Bancroft and Sara Colman. Lots of different types of music which keeps me on my toes!!.
What are you currently listening to and what was the last CD or download you bought?
Ahhh!!! I just found an old vinyl of Harmony of the Spheres by Neil Ardley, and featuring my wonderful mate Norma Winstone. I used to own it but it sadly got burnt, so finding it again was a marvellous luxury for me.
Click on the album cover to read our review.
What is your all time favourite album and why?
Without a doubt my favourite ever album is "The first songs" by my hero Laura Nyro. It changed my life when I was 14 and I played it to death. Again, my original got destroyed in a fire but my husband and bass player Roger Carey went on a mission around mamy many second hand shops and found one!! I cried I was so happy. I love the songs and the arrangements and her style and backing vocals are immense. She was 14 when she first wrote the songs and yet, had the soul of an 80 year old. I never got to see her live.
Who has caught you attention recently that we should be listening out for?
Ooh. There are loads of amazing musicians coming through at the moment. Wow....where to start!!. Rory Ingham is a mega trombonist and he has a fab band with Alexander Pope on sax. Some beautiful singers. Edana Minghella, Karl Charity, Louise Balkwill, I am so lucky to work with so many players and singers in my job. I count my blessings every day!!
Without a doubt my favourite ever album is "The first songs" by my hero Laura Nyro. It changed my life when I was 14 and I played it to death. Again, my original got destroyed in a fire but my husband and bass player Roger Carey went on a mission around mamy many second hand shops and found one!! I cried I was so happy. I love the songs and the arrangements and her style and backing vocals are immense. She was 14 when she first wrote the songs and yet, had the soul of an 80 year old. I never got to see her live.
Who has caught you attention recently that we should be listening out for?
Ooh. There are loads of amazing musicians coming through at the moment. Wow....where to start!!. Rory Ingham is a mega trombonist and he has a fab band with Alexander Pope on sax. Some beautiful singers. Edana Minghella, Karl Charity, Louise Balkwill, I am so lucky to work with so many players and singers in my job. I count my blessings every day!!
TINA MAY - Take Five No: 7
Can you tell us about your new album?
Tina May meets Enrico Pieranunzi the music of Enrico Pieranunzi with mostly my lyrics. The title was Enrico's idea and recalls an earlier recording with Chat Baker ( 'Chet Baker meets the Space Trio') where Night Bird was first recorded. I have added lyrics to the composition and also Chet 's solo. there are a couple of choice jazz standards too ( This is New and Daydream) The fabulous Tony Coe plays on Night Bird and Daydream. I admire These two gentlemen of Jazz enormously and the recording session was a joy!
What other projects are you currently involved in?
My next Hep release will be recorded in January 2016. It is entitled ' Get Happy ' and will be suitably ' up- beat'. This recording will feature the musicians on ' My Kinda Love' and Divas' - minus the string quartet. Watch this space. I am also touring a follow up show to ' Piaf - Celebrating a Legend. It is called ' Berlin- Paris-Broadway '. meanwhile my musical camerade in Paris, Patrick Villanueva is putting together a project with the music of Louis Ferrari called 'Domino'.
Also meanwhile, my long- standing musical conspirator,based in Munich, Andy Lutter ( Bop til you Drop) and I have a recording called ' Café Paranoia' - which features, amongst other originals of our own, some Mark Murphy ' Haiku' - with Andy's wonderful jazz settings. Wild!
On a very exciting note - my daughter Gemma Tracey, and I are going to record a vocal project with live performances to follow.... So watch this space!
Tina May meets Enrico Pieranunzi the music of Enrico Pieranunzi with mostly my lyrics. The title was Enrico's idea and recalls an earlier recording with Chat Baker ( 'Chet Baker meets the Space Trio') where Night Bird was first recorded. I have added lyrics to the composition and also Chet 's solo. there are a couple of choice jazz standards too ( This is New and Daydream) The fabulous Tony Coe plays on Night Bird and Daydream. I admire These two gentlemen of Jazz enormously and the recording session was a joy!
What other projects are you currently involved in?
My next Hep release will be recorded in January 2016. It is entitled ' Get Happy ' and will be suitably ' up- beat'. This recording will feature the musicians on ' My Kinda Love' and Divas' - minus the string quartet. Watch this space. I am also touring a follow up show to ' Piaf - Celebrating a Legend. It is called ' Berlin- Paris-Broadway '. meanwhile my musical camerade in Paris, Patrick Villanueva is putting together a project with the music of Louis Ferrari called 'Domino'.
Also meanwhile, my long- standing musical conspirator,based in Munich, Andy Lutter ( Bop til you Drop) and I have a recording called ' Café Paranoia' - which features, amongst other originals of our own, some Mark Murphy ' Haiku' - with Andy's wonderful jazz settings. Wild!
On a very exciting note - my daughter Gemma Tracey, and I are going to record a vocal project with live performances to follow.... So watch this space!
Click on the album cover to read our review
What are you currently listening to and what was the last CD or download you bought?
I listen so very widely... my daughter introduced me to 'Sia ' - a very fine singer/ songwriter. I like Lorraine Feather and bought her album where she sings her lyrics to Fellini's Waltz( Pieranunzi). She' s a great vocal artist.
What is your all time favourite album and why?
This is so hard. There are various albums that have meant so much to me... At different times in my life. I still go back to ' Carmen Sings Monk'; for Carmen MacRae - her artistry and audacity.
Who has caught your attention recently that we should be listening out for?
Jacob Collier - wow! One to watch, methinks. Makes me happy to see and hear a young musician - so talented, creative and focused.
I listen so very widely... my daughter introduced me to 'Sia ' - a very fine singer/ songwriter. I like Lorraine Feather and bought her album where she sings her lyrics to Fellini's Waltz( Pieranunzi). She' s a great vocal artist.
What is your all time favourite album and why?
This is so hard. There are various albums that have meant so much to me... At different times in my life. I still go back to ' Carmen Sings Monk'; for Carmen MacRae - her artistry and audacity.
Who has caught your attention recently that we should be listening out for?
Jacob Collier - wow! One to watch, methinks. Makes me happy to see and hear a young musician - so talented, creative and focused.
TAM DE VILLIERS - Take Five No: 6
Can you tell us about your new album?
Panacea is the third album of my regular quartet which I first formed in Paris in 2007 with Karl Jannusk (drums), David Prez (t.sax) and Frédéric Chiffoleau (bass). The basic concept common to all three albums: develop fluid, passionate, and interactive quartet playing in the context of my compositions which are a challenging mix of contemporary composition, rhythmic motifs, through-composition, both harmonic and free improvisation with a lot of electric guitar and use of effects pedals thrown in. The great bonus of working with the same talented team of musicians is that over time and a lot of regular playing you can achieve a kind of telepathy which allows you go so much further with the repertoire, take risks and surprise each other with where the music finds itself. I can be hard to work regularly with the same guys since musicians play in many projects and are pulled in many directions to make ends meet. I feel that in particular, Panacea, captures this complicity in many places. I also like to bring inspiration outside of the music world into the composition. Coming from a family of fine art sculptors I enjoy the idea that as a musician and composer one is sculpting with sound. I find many parallels and strive to create balance in the use of form and space the same way a sculptor would. Furthermore, I'm pretty interested in many things gain inspiration even from history, science, and esoteric poetry (Blake, Rainer Maria Rilker etc) which is one of the reasons I wrote lyrics around these themes and invited one of my favourite European singers onto the album, Gabor Winand from Hungary. (I recommend listening to his albums in collaboration with the guitarist Gabor Gado - "Corners of My Mind" and "Opera Budapest" on BMC records to see why I like this singer so much)
What other projects are you currently involved in?
Capsule, a new Anglo-franco collaboration trio project with British pianist Matthew Bourne and French bass clarinetist Jean-Brice Godet. All three of us compose, and the repertoire is a kind of chamber music with a mix of written and free playing. We recently did a small tour of France and UK. A recording and more dates are coming in the not too distant future. matthewbourne.com and jeanbricegodet.com
OZMA - long established French jazz group (quite rock orientated) invited me to play with them this year in certain projects. The have been established for a long time and also have done a lot of work combing music and image. Big European tour coming up in November ! Check them out : ozma.fr
Cinematics
Is a quintet project with talented French classical composer who also plays jazz piano very well ! He also writes many film scores which is the theme of this project with mixes jazz, film music and even an actor monologue as part of the mix. oliviercalmel.com
Stéphane Payen solo pieces
A series of really really challenging contemporary classical pieces for solo electric guitar written by Stephane Payen. He a well respected saxophonist and composer in France who comes from Steve Coleman rhythmic vein. Indeed he has worked for the last 15 years with Barak Schmool doing F-ire Workshops at City University in London. stephanepayen.com
Plus as a freelance side man I play regularly with many other musicians.
Panacea is the third album of my regular quartet which I first formed in Paris in 2007 with Karl Jannusk (drums), David Prez (t.sax) and Frédéric Chiffoleau (bass). The basic concept common to all three albums: develop fluid, passionate, and interactive quartet playing in the context of my compositions which are a challenging mix of contemporary composition, rhythmic motifs, through-composition, both harmonic and free improvisation with a lot of electric guitar and use of effects pedals thrown in. The great bonus of working with the same talented team of musicians is that over time and a lot of regular playing you can achieve a kind of telepathy which allows you go so much further with the repertoire, take risks and surprise each other with where the music finds itself. I can be hard to work regularly with the same guys since musicians play in many projects and are pulled in many directions to make ends meet. I feel that in particular, Panacea, captures this complicity in many places. I also like to bring inspiration outside of the music world into the composition. Coming from a family of fine art sculptors I enjoy the idea that as a musician and composer one is sculpting with sound. I find many parallels and strive to create balance in the use of form and space the same way a sculptor would. Furthermore, I'm pretty interested in many things gain inspiration even from history, science, and esoteric poetry (Blake, Rainer Maria Rilker etc) which is one of the reasons I wrote lyrics around these themes and invited one of my favourite European singers onto the album, Gabor Winand from Hungary. (I recommend listening to his albums in collaboration with the guitarist Gabor Gado - "Corners of My Mind" and "Opera Budapest" on BMC records to see why I like this singer so much)
What other projects are you currently involved in?
Capsule, a new Anglo-franco collaboration trio project with British pianist Matthew Bourne and French bass clarinetist Jean-Brice Godet. All three of us compose, and the repertoire is a kind of chamber music with a mix of written and free playing. We recently did a small tour of France and UK. A recording and more dates are coming in the not too distant future. matthewbourne.com and jeanbricegodet.com
OZMA - long established French jazz group (quite rock orientated) invited me to play with them this year in certain projects. The have been established for a long time and also have done a lot of work combing music and image. Big European tour coming up in November ! Check them out : ozma.fr
Cinematics
Is a quintet project with talented French classical composer who also plays jazz piano very well ! He also writes many film scores which is the theme of this project with mixes jazz, film music and even an actor monologue as part of the mix. oliviercalmel.com
Stéphane Payen solo pieces
A series of really really challenging contemporary classical pieces for solo electric guitar written by Stephane Payen. He a well respected saxophonist and composer in France who comes from Steve Coleman rhythmic vein. Indeed he has worked for the last 15 years with Barak Schmool doing F-ire Workshops at City University in London. stephanepayen.com
Plus as a freelance side man I play regularly with many other musicians.
Click on the Album Cover to read our review.
What are you currently listening to and what was the last CD or download you bought?
Recently picked up a reissue of Gentle Giant - Octopus !
Otherwise regularly on the turntable at the moment
Michael Formanek's Small Places, Craig Taborn's Avenging Angel, Deerhoof, Gabriel Kahane, John Dowland, Allan Holdsworth, Marc Ducret...
What is your all time favourite album and why?
Certainly there are many for different reasons, but here's one that springs to mind.
John Scofield's "Time on my Hands" (Lovano, Haden, DeJohnette)
An album i can always come back to and still get something new out of it. Great organic, gutsy, interactive quartet playing from some of my favourite jazz musicians around some of Scofield's best tunes in my opinion.
Who has caught you attention recently that we should be listening out for?
I recently got given a copy of Perpetual Delirium: Andreas Schaerer meets Arte Quartett & Wolfgang Zwiauer on BMC records. Schaerer, who I didn't know before is a pretty impressive singe, composer, bandleader etc. He mixes coloraura, rap, scat, beatbox, crooner singing all along with some very fresh and accomplished contemporary composition. Well worth checking out.
Click here to view details for WHIRLWIND RECORDINGS SHOWCASE FEATURING GEORGE CROWLEY & TAM DE VILLIERS at the 606 Club on Wednesday 7th October, 2015
DAN MESSORE - Take Five No: 5
Can you tell us about your new album?
Certainly, its a continuation of the ‘Indigo Kid’ project. It features Iain Ballamy, Trish Clowes, Tim Harries and Martin France. I worked closely Tim and Martin on the form and aesthetic of the album. Trish and Iain are both such powerful musical minds and brought a lot to the music. I wrote with their voices in mind, as i was lucky to play a good deal with them both supporting the first album. The material is all original by myself and is inspired by two important landscapes to me, Pembrokeshire and Costa Rica. Both are stunning and I have grown a lot from living in both coastal communities. Their is also a deepened use of electronics on this album which colours the sound, vibe and compositions.
What other projects are you currently involved in?
I’ve just recorded with Jake McMurchie’s ‘Michelson Morley’ www.michelsonmorley.com . Also, I’m loving organ trio at the moment. I run a project with several residencies called ‘Kindling Trio’ much inspired by the Bernstein/Golding/Stewart trio. This trio has a revolving line up as its a residency and Ive been grateful to play with Gethin Jones, Joe Webb, Clive Deamer, Dan Moore, Jonny Henderson and more…its been a lot of fun exploring this combo with such great players. I’ve just recorded ‘Sky Barkers’ www.facebook.com/skybarkers with my wife and co writer Jo. This band is a contemporary take on a mutual love of the songs and rock band sounds of 69-74. I curate a festival in South Wales called ‘Unearthed In A Field’www.unearthedinafield.co.uk. This has been a great success and given me the chance to perform my 12 piece psychedelic/afro-beat/tropcalia band ‘Los Pulpos Del Diablo’. I am also in discussion about working with a music festival in Costa Rica for 2017. ’Little Arrow’ www.littlearrow.co.uk is a successful alt indie rock band that i play and write with my childhood friend William Hughes.
New on the horizon, Im writing for piano quartet with Elliot Galvin, Dave Mannington and Harry Pope. Also, Ive just recorded with Tim Giles, Calum Gourlay and Gareth Lockrane. We toured a little at the end of last year and it became a band very fluidly.
Certainly, its a continuation of the ‘Indigo Kid’ project. It features Iain Ballamy, Trish Clowes, Tim Harries and Martin France. I worked closely Tim and Martin on the form and aesthetic of the album. Trish and Iain are both such powerful musical minds and brought a lot to the music. I wrote with their voices in mind, as i was lucky to play a good deal with them both supporting the first album. The material is all original by myself and is inspired by two important landscapes to me, Pembrokeshire and Costa Rica. Both are stunning and I have grown a lot from living in both coastal communities. Their is also a deepened use of electronics on this album which colours the sound, vibe and compositions.
What other projects are you currently involved in?
I’ve just recorded with Jake McMurchie’s ‘Michelson Morley’ www.michelsonmorley.com . Also, I’m loving organ trio at the moment. I run a project with several residencies called ‘Kindling Trio’ much inspired by the Bernstein/Golding/Stewart trio. This trio has a revolving line up as its a residency and Ive been grateful to play with Gethin Jones, Joe Webb, Clive Deamer, Dan Moore, Jonny Henderson and more…its been a lot of fun exploring this combo with such great players. I’ve just recorded ‘Sky Barkers’ www.facebook.com/skybarkers with my wife and co writer Jo. This band is a contemporary take on a mutual love of the songs and rock band sounds of 69-74. I curate a festival in South Wales called ‘Unearthed In A Field’www.unearthedinafield.co.uk. This has been a great success and given me the chance to perform my 12 piece psychedelic/afro-beat/tropcalia band ‘Los Pulpos Del Diablo’. I am also in discussion about working with a music festival in Costa Rica for 2017. ’Little Arrow’ www.littlearrow.co.uk is a successful alt indie rock band that i play and write with my childhood friend William Hughes.
New on the horizon, Im writing for piano quartet with Elliot Galvin, Dave Mannington and Harry Pope. Also, Ive just recorded with Tim Giles, Calum Gourlay and Gareth Lockrane. We toured a little at the end of last year and it became a band very fluidly.
Click on the Album cover to read our review.
What are you currently listening to and what was the last CD or download you bought?
I get a bit obsessed with a certain era or style for periods. I’ll get into piano trios say and trace the linage back to who's hearing who. At the moment Im really into some old school Nashville session guys and their approach playing style and numbers system. In turn this has really got me into different studio bands, such as the Muscle Shoals lot. I love finding these moments when inspiration in the studio changes a whole era/playing approach on a bunch of great records. J D Simo is a really cool Nashville based guitarist i keep checking in on. In terms of guitar Peter Bernstein, Julian Lage and Lage Lund all really get me going regularly.
What is your all time favourite album and why?
I'm guessing this is always a tough one for people to answer. I feel I need a whole bunch in this quiver to answer the question. I get into an album but have to temper it with others. If i have to choose just one i guess it'd be ‘Blonde On Blonde’ by Bob Dylan. If i was saying just jazz probably ‘A Love Supreme’ by Coltrane. Both feel like quite nostalgic choices, but they both grew me at different points and I feel linked to them.
Who has caught you attention recently that we should be listening out for?
Again a hard one. Their is a lot going on and so much is subjective. Its awesome to look at the fantastic number of talented young guns coming up through the colleges. On that shout I’d say Elliot Galvin is a dude. Honestly, Ive been so blessed to play with some incredible musicians that my attention is often directed at them…I just recorded a what may become Indigo Kid III with Tim Giles, Calum Gourlay and Gareth Lockrane. Its just such a privilege to feel the music with these guys as it is with all the aforementioned musicians. My attention really goes into sharing the music with the people I’m playing with as I feel this depth connects to the listener also.
I get a bit obsessed with a certain era or style for periods. I’ll get into piano trios say and trace the linage back to who's hearing who. At the moment Im really into some old school Nashville session guys and their approach playing style and numbers system. In turn this has really got me into different studio bands, such as the Muscle Shoals lot. I love finding these moments when inspiration in the studio changes a whole era/playing approach on a bunch of great records. J D Simo is a really cool Nashville based guitarist i keep checking in on. In terms of guitar Peter Bernstein, Julian Lage and Lage Lund all really get me going regularly.
What is your all time favourite album and why?
I'm guessing this is always a tough one for people to answer. I feel I need a whole bunch in this quiver to answer the question. I get into an album but have to temper it with others. If i have to choose just one i guess it'd be ‘Blonde On Blonde’ by Bob Dylan. If i was saying just jazz probably ‘A Love Supreme’ by Coltrane. Both feel like quite nostalgic choices, but they both grew me at different points and I feel linked to them.
Who has caught you attention recently that we should be listening out for?
Again a hard one. Their is a lot going on and so much is subjective. Its awesome to look at the fantastic number of talented young guns coming up through the colleges. On that shout I’d say Elliot Galvin is a dude. Honestly, Ive been so blessed to play with some incredible musicians that my attention is often directed at them…I just recorded a what may become Indigo Kid III with Tim Giles, Calum Gourlay and Gareth Lockrane. Its just such a privilege to feel the music with these guys as it is with all the aforementioned musicians. My attention really goes into sharing the music with the people I’m playing with as I feel this depth connects to the listener also.
KIT DOWNES - Take Five No: 4
Can you tell us about your new album?
Sure, its called 'Tricko' and it features myself on piano and organ, and Lucy Railton on cello. It features my own compositions, which are all in their own way dealing with the fine line between structure and freedom, as well as space and aesthetics.
What other projects are you currently involved in?
Quite a few! But the ones that I am writing music for and feel are in some way my own are Troyka (eletrconic trio of Chris Montague on guitars, Josh Blackmore on drums), The Enemy (a piano trio featuring Petter Eldh on bass and James Maddren on drums), Wedding Music (a church organ/saxophone duet with Tom Challenger) and Tricko.
Sure, its called 'Tricko' and it features myself on piano and organ, and Lucy Railton on cello. It features my own compositions, which are all in their own way dealing with the fine line between structure and freedom, as well as space and aesthetics.
What other projects are you currently involved in?
Quite a few! But the ones that I am writing music for and feel are in some way my own are Troyka (eletrconic trio of Chris Montague on guitars, Josh Blackmore on drums), The Enemy (a piano trio featuring Petter Eldh on bass and James Maddren on drums), Wedding Music (a church organ/saxophone duet with Tom Challenger) and Tricko.
Click on the album cover to read our review.
What are you currently listening to and what was the last CD or download you bought?
Last CD I bought was the new Tim Berne album, which rocks, big time. I am currently listening to that, as well as Squarepusher, a UK band called 'Babs', Teddy Wilson, Deerhoof, Blind Willie McTell, Burial, Coltrane, Danger Doom (mouse and the mask), some Bruce Gilbert and John Cage's 44 harmonies.
What is your all time favourite album and why?
Too hard to pick, but one of them is definitely Paul Bley's 'Footloose'
Who has caught you attention recently that we should be listening out for?
Tom Challenger - he has a few different projects, one of them is Brass Mask which is really great. Also Dan Nicholls has lots of really great stuff - so much great new music coming from the UK. Chris Sharkey and Matt Bourne too.. We featured a lot of these artists at the South Tirol Jazz Festival this year in Italy, where myself and my partner Ruth Goller were asked to help curate the programme.
Last CD I bought was the new Tim Berne album, which rocks, big time. I am currently listening to that, as well as Squarepusher, a UK band called 'Babs', Teddy Wilson, Deerhoof, Blind Willie McTell, Burial, Coltrane, Danger Doom (mouse and the mask), some Bruce Gilbert and John Cage's 44 harmonies.
What is your all time favourite album and why?
Too hard to pick, but one of them is definitely Paul Bley's 'Footloose'
Who has caught you attention recently that we should be listening out for?
Tom Challenger - he has a few different projects, one of them is Brass Mask which is really great. Also Dan Nicholls has lots of really great stuff - so much great new music coming from the UK. Chris Sharkey and Matt Bourne too.. We featured a lot of these artists at the South Tirol Jazz Festival this year in Italy, where myself and my partner Ruth Goller were asked to help curate the programme.
JULIET KELLY - Take Five No: 3
photo credit: Annabelle Narey
Can you tell us about your new album?
My new album is a set of songs based on my favourite novels called “Spellbound Stories”. The idea came to me as I was thinking about how little I read books nowadays. I waste far too much time clicking links on YouTube or Wikipedia! This got me to thinking about my favourite novels and then I decided to choose 10 or so novels and write songs about each of them. Novels used as inspiration include Alice Walker's “The Color Purple”, Arundhati Roy's “The God of Small Things” and C S Lewis's “The Lion, the Witch and the Wardrobe”. Later I realised that many of the novels that are my favourites have some element of magic and mystery and this turned out to be an unexpected secondary theme. I tried to bring out these elements in the arrangements and production of these songs to evoke a dark and mysterious mood.
What other projects are you currently involved in?
I've been touring a show I put together around my early influences called “Celebrating the Divas of Jazz”. This has been really popular, especially on the rural tours I do in village halls around the UK. I also do a family-friendly version of this show which sold out in The Purcell Room, South Bank at last year's London Jazz Festival and will be on again at this year's festival at Cadogan Hall and artsdepot.I'm also working on some new ideas, so watch this space!
What are you currently listening to and what was the last CD or download you bought?
The last CD I downloaded and have been listening to is Jason Moran's “ALL RISE: A Joyful Elegy for Fats Waller”. It's a really interesting and modern approach to a tribute album.
My new album is a set of songs based on my favourite novels called “Spellbound Stories”. The idea came to me as I was thinking about how little I read books nowadays. I waste far too much time clicking links on YouTube or Wikipedia! This got me to thinking about my favourite novels and then I decided to choose 10 or so novels and write songs about each of them. Novels used as inspiration include Alice Walker's “The Color Purple”, Arundhati Roy's “The God of Small Things” and C S Lewis's “The Lion, the Witch and the Wardrobe”. Later I realised that many of the novels that are my favourites have some element of magic and mystery and this turned out to be an unexpected secondary theme. I tried to bring out these elements in the arrangements and production of these songs to evoke a dark and mysterious mood.
What other projects are you currently involved in?
I've been touring a show I put together around my early influences called “Celebrating the Divas of Jazz”. This has been really popular, especially on the rural tours I do in village halls around the UK. I also do a family-friendly version of this show which sold out in The Purcell Room, South Bank at last year's London Jazz Festival and will be on again at this year's festival at Cadogan Hall and artsdepot.I'm also working on some new ideas, so watch this space!
What are you currently listening to and what was the last CD or download you bought?
The last CD I downloaded and have been listening to is Jason Moran's “ALL RISE: A Joyful Elegy for Fats Waller”. It's a really interesting and modern approach to a tribute album.
Click on the CD cover to read our review.
What is your all time favourite album and why?
It's really heard to choose one favourite so instead I'm going to talk about one of the most influential albums - Nina Simone's “Wild is the Wind”. Nina made me realise that as a jazz singer I could also cover songs other than jazz standards. She also inspired me to write my own songs. She didn't classify herself as a jazz singer and was very eclectic in her choice of material. For me she redefined the role of a jazz singer.
Who has caught you attention recently that we should be listening out for?
Someone who has recently caught my attention is the US singer Cecile McLorin Salvant. She's “old school” in that she sings standards and scats in the way that original divas like Ella Fitzgerald or Betty Carter did. However, she somehow manages to make the old standards seem fresh and has a very original way of approaching the classics. She's also a wonderful performer. Definitely worth checking out!
It's really heard to choose one favourite so instead I'm going to talk about one of the most influential albums - Nina Simone's “Wild is the Wind”. Nina made me realise that as a jazz singer I could also cover songs other than jazz standards. She also inspired me to write my own songs. She didn't classify herself as a jazz singer and was very eclectic in her choice of material. For me she redefined the role of a jazz singer.
Who has caught you attention recently that we should be listening out for?
Someone who has recently caught my attention is the US singer Cecile McLorin Salvant. She's “old school” in that she sings standards and scats in the way that original divas like Ella Fitzgerald or Betty Carter did. However, she somehow manages to make the old standards seem fresh and has a very original way of approaching the classics. She's also a wonderful performer. Definitely worth checking out!
PHIL ROBSON - Take Five No: 2
Photo by Bob Barkany
Can you tell us about your new album?
My new CD is called The Cut Off Point and it was released on May 18th, 2015 on Whirlwind Records. It is an album of my organ trio featuring Ross Stanley & Gene Calderazzo & comprises of 8 tunes, 7 of which are originals by me, plus one tune by US sax legend David Liebman. It is a celebration of the great organ trio tradition whilst at the same time has my personal stamp on that tradition.
What other projects are you currently involved in?
I co-lead 'Partisans' with Julian Siegel which had been in existence for almost 20 years now. The band is playing at lots of major festivals this summer & will also tour the UK in Nov 2015. I am also a regular member of Christine Tobin's various projects. She will be releasing a new cd of her musical settings of Pulitzer prize winning poet, Paul Muldoon's poems/lyrics in 2016 which will also be touring. Other than that, I am a freelance musician who appears in the UK with artists such as Rachael Cohen, Michael Janisch, Alec Dankworth & many more.
What are you currently listening to and what was the last CD or download you bought?
I recently rediscovered Jason Moran's 'Bandwagon' which I really enjoyed hearing again. I have also been listing to a compilation of Ethiopian funk which a friend compiled on a cd for me. The last CDs I bought were Dave Holland 'Prism', a great Pat Martino '68 reissue called 'Young Lions', Craig Taborn 'Chants' & Billy Hart's 'One Is The Other'. I'm also looking forward to checking out Liam Noble's new cd 'A Room Somewhere' & theJulian Arguelles new one too, 'Let It Be Told'.
Click on the CD Cover to read our review
What is your all time favourite album and why?
I don't have a fav CD as I love so many but I suppose if I had to pick one it would be Miles Davis originally entitled 'Live In Europe'. It was the record that really got me into jazz. I think it is now called 'Live in Antibes'.
Who has caught you attention recently that we should be listening out for?
A student played me some Doug Raney today & I'm ashamed to say I'd never really checked him out but I certainly will now. In terms of my contemporary environment I am very curious to see what the young guitarist Rob Luft will do with his considerable talent in the future as well as so many other fab young musicians I hear every time I go out such as Ashley Henry etc etc. If they don't already know him, everyone should check out Gareth Lockrane.
I don't have a fav CD as I love so many but I suppose if I had to pick one it would be Miles Davis originally entitled 'Live In Europe'. It was the record that really got me into jazz. I think it is now called 'Live in Antibes'.
Who has caught you attention recently that we should be listening out for?
A student played me some Doug Raney today & I'm ashamed to say I'd never really checked him out but I certainly will now. In terms of my contemporary environment I am very curious to see what the young guitarist Rob Luft will do with his considerable talent in the future as well as so many other fab young musicians I hear every time I go out such as Ashley Henry etc etc. If they don't already know him, everyone should check out Gareth Lockrane.
ALEX HUTTON - Take Five No:1
Can you tell us about your new album?
Magna Carta Suite is a through composed piece of music that pays homage to the magna carta signed in under an old Yew Tree 1215. The suite is a journey through 800 years signposting certain important landmarks (in the persuit of liberty and freedom) along the way. The music takes influences from time periods aligned with these 'landmarks' So theres references to Palestrina and gregorian chants, early english folk music, Baroque, Classical , and 2oth century harmony. But the suite comes back to the same organic theme, an ode to the ancient yew tree which significantly is still alive and well.
What other projects are you currently involved in?
The spoken word section with poet Neil Sparkes has developed into a book and so this collabaration (piano and spoken word) has its own momentum to be taken further in the coming months. Im working with a fantastic Oud player Yaz Fentazi and its a great eye opener for me to learn Yaz'z Algerian influenced compositions - so hopefully we'll get out before long and tour this music. Im also adapting one of my earlier albums 'Songs From The Seven Hills' to a Brass Band score.
Magna Carta Suite is a through composed piece of music that pays homage to the magna carta signed in under an old Yew Tree 1215. The suite is a journey through 800 years signposting certain important landmarks (in the persuit of liberty and freedom) along the way. The music takes influences from time periods aligned with these 'landmarks' So theres references to Palestrina and gregorian chants, early english folk music, Baroque, Classical , and 2oth century harmony. But the suite comes back to the same organic theme, an ode to the ancient yew tree which significantly is still alive and well.
What other projects are you currently involved in?
The spoken word section with poet Neil Sparkes has developed into a book and so this collabaration (piano and spoken word) has its own momentum to be taken further in the coming months. Im working with a fantastic Oud player Yaz Fentazi and its a great eye opener for me to learn Yaz'z Algerian influenced compositions - so hopefully we'll get out before long and tour this music. Im also adapting one of my earlier albums 'Songs From The Seven Hills' to a Brass Band score.
Click on the CD cover to read our review.
What are you currently listening to and what was the last CD or download you bought?
I'm actually currently listening to some vintage Kenny Kirkland. Ages ago I made a (work) tape of all his solos- just his solos - and I've recently found it and transferred to mp3 format . That Kenny Kirkland language is so familiar to us , those that got into jazz in the early 90's - and it's that 'tension and release' that i miss sometimes in present day improv. Last CD I bought - nothing contemporary im afraid; Scriabin Etudes. I /we were presenting a radio show for a few years until about 2 years ago , so I've got a rather large amount of jazz CDs to get through.
What is your all time favourite album and why?
That's so hard. As a musician I like to think of myself as an eternal student of music so this changes all the time . I always go back to Keith Jarrett though. I really don't think anyone gets close to him for beauty and depth. So lets say, Keith Trio - Jarrett Standards Live.
Who has caught you attention recently that we should be listening out for?
No I think you guys are on the money with this actually. There's a definite bias towards finding the newest brightest star. Instead I like to see a larger audience when I go to see Pete King or Don Weller (for example) at the 606. this is a long road after all.
I'm actually currently listening to some vintage Kenny Kirkland. Ages ago I made a (work) tape of all his solos- just his solos - and I've recently found it and transferred to mp3 format . That Kenny Kirkland language is so familiar to us , those that got into jazz in the early 90's - and it's that 'tension and release' that i miss sometimes in present day improv. Last CD I bought - nothing contemporary im afraid; Scriabin Etudes. I /we were presenting a radio show for a few years until about 2 years ago , so I've got a rather large amount of jazz CDs to get through.
What is your all time favourite album and why?
That's so hard. As a musician I like to think of myself as an eternal student of music so this changes all the time . I always go back to Keith Jarrett though. I really don't think anyone gets close to him for beauty and depth. So lets say, Keith Trio - Jarrett Standards Live.
Who has caught you attention recently that we should be listening out for?
No I think you guys are on the money with this actually. There's a definite bias towards finding the newest brightest star. Instead I like to see a larger audience when I go to see Pete King or Don Weller (for example) at the 606. this is a long road after all.
